In an art world that encourages hugeness, the painter Zoe Pettijohn Schade emphasizes tiny repeating forms, juxtaposing hungry sharks against the most intricate lace. She takes inspiration, she tells Bomb magazine, from textiles and 18th-century gouache pattern paintings and from echoes of those patterns in present-day life. Then and now, repetition and hidden understructures soothe us as monsters play and “hide in plain sight.”
October 16 - December 6, 2014
Opening Reception: Thursday, October 16, 2014 6-9pm
Gallery hours: Tues-Sun 12-8pm
229 Centre Street
NY, NY 10013
The idea for this show began with the desire to see the range and abundance of approaches that arise from one of the most fundamental modes of art making- basic drawing. We thought it would be illuminating to see how different artists used drawing in their practice. Living in New York we are surrounded by an amazing peer group of artists and we wondered how drawing functioned for them especially since it’s oftentimes a part of their process that is not shown. As a way to focus this conversation we applied narrow material parameters:
- All work is A4 (8.5 x 11 inches) or smaller
- All work is black, white or grey-scale
- All work is an original piece on a single sheet of paper
From this simple source comes an extravagant array of approaches from the diaristic to the diagrammatic and spans from elegant and refined finished works to raw gestural explorations.
The notion of Prime Matter as a material that carries within it the potential for any other form originates with Aristotle. This idea is elaborated on by Thomas Aquinas in his explanations of change, and in the alchemical tradition as a raw material that has within it the components for all other forms, including the perfect form. The wild diversity that arises from this fundamental mode of art-making is a corollary to this ancient notion of potentiality of matter.
Zoe Pettijohn Schade and Christopher Schade
September 24, 2014
|Exhibiting Artists include:|
Nils Folke Anderson
Nichole van Beek
Zoe Pettijohn Schade
I am happy to be participating in the Last Brucennial!
Very excited about this great article!
Solo Show at the Mona Bismarck Center for American Art and Culture in Paris, runs through May 19th
I am excited to announce that I have been awarded the 2012-13 Fulbright U.S. Scholars Grant to Paris. It is to continue my drawings of a rare collection of gouache pattern paintings from the 1700s at the Bibliothèque Forney, and make full scale paintings in response. The grant is for six months beginning in February, 2013. I am so thrilled and honored!